Self-taught artist Sandra Wadkin has always taken an abstract approach to her paintings, which she claims may at first glance seem to follow the tradition of Op Art. However, once we break down the multiple layers of line, pattern and marks that make up Wadkin鈥檚 abstract landscapes, we find compositions that subtly evoke cultural and political metaphors, which have been removed from any literal form of context. Her work therefore comes to symbolise specific aspects of cultural histories, diaspora, memory and, perhaps most importantly, the construction of identity.
Longlisted for the Aesthetica Art Prize 2016, They Came By Sea investigates the relationship between, in the artist鈥檚 words, 鈥渁 physical skin scratched away to reveal its truth or underside鈥, and the 鈥渄isplacement of people through history鈥, which is perhaps especially relevant today. Wadkin鈥檚 recurrent themes of identity and time come heavily into play here. The dark colours in the piece are designed to evoke the sea, and remind us of the discourse that surrounds cultural difference. Its conceit however is that any semblance of reality it has is actually an illusion. Like the fringes of a dream, identity and time seem briefly to be tangible, but ultimately are forever out of reach.
Previous finalists include John Keane, former official British war artist, currently represented by Flowers Gallery in London; Ingrid Hu, former designer at the Lubetkin-winning Heatherwick Studio; Marcus Jansen, a leading modern expressionist; and Bernat Millet, shortlisted for National Portrait Gallery鈥檚 Taylor Wessing Photographic Portrait Prize. We’re now open for entries for next year’s award. Prizes include up to 拢5,000 prize money courtesy of , editorial coverage in 人妻少妇专区, and a group exhibition.
The Aesthetica Art Prize 2016 Exhibition will聽be open聽from 14 April – 29 May, Wednesdays to Sundays, 12pm to 4pm, at ,聽Castlegate,聽York,聽YO1 9RN.
See more of Wadkin’s work:聽.
Deadline for submissions is 31 August. To enter, visit .
Credits
1. Sandra Wadkin,聽They Came By Sea, 2015.
