In November 2022, the world鈥檚 population hit 8 billion 鈥 a staggering milestone. Although the growth rate is slowing, the resources needed to support human life remain out of reach. Approximately 1.75 Earths are needed to sustain current activity. Therefore, the natural world has been morphing into something altogether different for centuries. In 2019, the United Nation鈥檚 global assessment report stated that 75% of ice-free land has been significantly changed by society, from agriculture to housing and industry. This 鈥渢errible beauty鈥 is the subject of Edward Burtynsky鈥檚 (b. 1955) large-scale photographic works.
Between 2015-2019, the artist documented the home of 16.72% of the world’s inhabitants. African Studies at Howard Greenberg Gallery, New York, records the continent鈥檚 varied terrain. Sublime oases, including Lake Bogoria, Kenya, and the red dunes of Sossusvlei, Namibia, are displayed alongside 鈥渞esidual landscapes.鈥 These altered vistas appear untouched, but on closer inspection, the marks of rapid industrialisation come to the fore. Incised lines and junctures form an industrial fingerprint. Gradients of brown, green and blue mix into a heady palette, blurring the lines between nature and manufacturing.
Burtynsky explains: 鈥淚 am surveying two very distinct aspects of the landscape: that of the Earth as something intact, undisturbed yet implicitly vulnerable … and that of the Earth as opened up by the systematic extraction of resources.鈥 The aerial portraits reveal the cost of human progression on the wilderness. Ironically, amidst the destruction, traces of splendour and wonder remain.
| Until 22 April
Words: Saffron Ward
Credits:
1. Tea Plantations #4, Near Kericho, of Kenya, 2017. 漏 Edward Burtynsky, courtesy Howard Greenberg Gallery.
2. Salt Ponds #6, Near Tikat of Banguel, Senegal, 2019. 漏 Edward Burtynsky, courtesy Howard Greenberg Gallery.
