Concerned with the reclamation of natural objects, Stephens鈥 use of textures are suggestive of urban living, pushing the boundaries between fine art and architecture. Made from nine different archival pigment prints, wood and wire, 螒.桅.巍.螣.螖.螜.韦.螚.危 is a site-specific installation featuring a repeated image of 鈥淧etra tou Romiou鈥 鈥 also known as 鈥淎phrodite鈥檚 Rock鈥.
Amy Stephens, 螒.桅.巍.螣.螖.螜.韦.螚.危, 2017.