Cities Abstracted
Ash Camas’ vivid images 鈥 taken in Canada, France, Sweden and beyond 鈥 encourage us to look at cities anew: cropping, repositioning and flattening them.
Ash Camas’ vivid images 鈥 taken in Canada, France, Sweden and beyond 鈥 encourage us to look at cities anew: cropping, repositioning and flattening them.
Glenn Lutz’s landmark publication comes from the desire to “create a work in which Black men came together to open up and share their experiences.”
During lockdown, London鈥檚 Museum of Youth Culture encouraged the public to delve through old shoeboxes, look in attics and flick through albums.
Margriet Smulders’ contemporary vanitas depict petals, berries and leaves floating on water 鈥 causing ripples and washes of colour to bleed and blend.
M贸nica de Miranda explores the island as a visual metaphor for the wider Afrodiasporic experience alongside Europe’s complex colonialist histories.
Omar Torres’ images symbolise an attempt to reach equilibrium. Everyday objects are arranged in balancing acts, held on the brink of collapse.
Sometimes we have that eureka moment ; we think about something in a completely new way. This issue foregrounds artists who play with form and subject.
Andoni Beristain’s bold still lifes inject a sense of narrative into the everyday, finding moments of comedy, satire and beauty within familiar items.
Nhu Xuan Hua’s images move beyond fashion editorials, transforming the body into something less individualistic 鈥 and much more sculptural.
Anna Dev铆s and Daniel Rueda’s images redefine the conventions of structural photography whilst tapping into the pillars of architectural tourism.
Neal Grundy鈥檚 Transient Sculptures series focuses on the concept of impermanence, depicting the beauty of fabric forms billowing in 鈥渕id-flight.鈥
Reuben Wu produces temporary geometries, or 鈥渁eroglyphs鈥, in remote locations. Glowing halos and lines are created with light-carrying drones.
Anastasia Samoylova searched through online image libraries with various buzz words: desert, glacier, tropic, storm, forest, waterfall, mountain.
Human touch, and all its wonder, pervade D鈥橝ngelo Lovell Williams鈥 photographs, showing the inherent, complicated beauty of intimate relationships.
A design and technology exhibition at V&A positions South Korea as “a leading cultural powerhouse in the era of social media and digital culture today.鈥
To look at infrared photography is to look at the invisible world. The human eye can see wavelengths from 400nm – 720nm. Infrared sits beyond 720nm.
Trung Bao compares the image-making process to that of music, with the ultimate goal of evoking feelings that are often hard to put into words.
We’ve teamed up with StreetLife Project for a new commission, inviting artists to create a dynamic contemporary artwork to show in the heart of York.
Georgia O鈥橩eeffe created over 2,000 paintings across the course of her career. Denver Art Museum takes a closer look at the artist’s photography.
