A Year in Covers
This year, Aesthetica marked its 100th issue. To celebrate, we’re looking back at 2021 through the lens of our most recent cover photographers.
This year, Aesthetica marked its 100th issue. To celebrate, we’re looking back at 2021 through the lens of our most recent cover photographers.
鈥淢y ambition is, in a sense, to make you see a little bit more tomorrow than you saw today.鈥 A new show brings the minimalist spirit of Robert Irwin to Berlin.
BIENALSUR 鈥 the聽International Biennial of Contemporary Art of the South 鈥 creates a network of associative collaboration around the globe.
Thomas Demand’s work may, at first glance, appear to show empty, mundane interiors. These are, in fact, highly politically charged locations.
New Era brings together the many strands of American artist Doug Aitken鈥檚 creative output from the 1990s to the present day.
John Madu plays with time. He is best known for bright figurative paintings: symbolic portraits which look to the past, present and future.
Anna Huix’s works are bright, energetic and full of motion. Figures twist, bend and stretch 鈥 creating unexpected shapes and silhouettes.
Patrick Wack’s new monograph, DUST, explores whether China鈥檚 21st century push westward mirrors events in America 200 years ago.
Lonneke Gordijn and Ralph Nauta are interested in using light and technology to refresh audiences’ ideas of the natural world.
Exploded paintings. Shattered flowers. Fragmented images. In a new series, Ori Gersht draws on postcards from renowned galleries worldwide.
This festive season, London is aglow with immersive and interactive artworks: from mist-filled rooms to giant tree-like sculptures.
10 gift ideas for culture lovers this season. 2021’s list includes gallery memberships, photobooks, subscriptions and camera accessories.
Nearly 100 years since its inception, artists continue to be inspired by Surrealism. From dreamworlds to suburbia, these images show what it looks like today.
S酶ren Solk忙r captures the extraordinary phenomenon of starling murmurations, the mass collective swell and flight of thousands of birds.
This issue of Aesthetica is dedicated to perseverance, resilience and determination. In the face of anything, we have power to change.
Ingrid Weyland’s collage compositions tap into the age of Anthropocentrism, with human hands literally altering ecosystems from the inside out.
Harriet Moutsopoulos (aka Lexicon Love) creates digital collages that manipulate the origins of images, unsettling the viewer.
Karen Constine subverts the LA landscape using an infrared camera. Deserted suburban streets are transfigured into surreal planes.
David Benjamin Sherry鈥檚 large-format images, shot in hyperreal monochrome, depict sites that were threatened during Trump鈥檚 administration.
